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  • It is important to engage with difficult subjects, and therefore feel uncomfortable things - horror, fear, disgust, shame, guilt -  because they are an integral part of being human.

 

  • There is no official list of films, or film knowledge, that a person must be aware of before being able to engage with moving images in a meaningful way - only a desire to think, learn and feel.

 

  • There is no hierarchy regarding the form or intention of moving images: narrative, documentary, experimental and pornographic work are all worthy of examination and discussion, and influence and inspire each other.

 

  • Film screenings should be accessible (where possible), including having captions and subtitling, wheelchair access, and tiered/pay-what-you-can ticket pricing for those with no, or low, incomes.

 

  • The most interesting spaces are not necessarily a gathering for ‘like-minded people’, instead they are made up of people with different experiences, opinions and values.

 

  • Labels like ‘feminist’ and ‘queer’ should only be used in the context of engaging with films through their respective lenses, not as descriptors or marketing tools.

 

  • If Pervert Pictures could ascribe any label or identity to itself, it would simply be a love for people and all their strange ways of being.

 

  • Being open-minded, inquisitive and thoughtful is sexy!

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